Monday, October 25, 2010

Kick-Ass #2, or Dave Lizewski Explains it All

For a kid who supposedly messes everything in his life up, Dave Lizewski is surprisingly assertive in his decisions. No matter what lessons life teaches him, especially that YOU SHOULDN'T BE A SUPERHERO one, he shrugs them off and goes about his merry way. I mean, I'm just saying that if I was such a self-proclaimed failure, I'd be a lot less cocky.

Dave is incredibly unlikable. His actions make things worse. It's incredibly rare that he really does anything right. I can't take him seriously because he whines all the time and has to call the cops for help when he gets into a bind. He's just kind of a douche, an idealistic and well-meaning douche, but a douche nonetheless.

I've read a decent amount of Mark Millar. Civil War is phenomenal. His Flash stuff is solid too. I'm just sick of him going for this shock value crap. Nemesis is kind of garbage. I keep hoping it will get good and quit trying to just be controversial, but I'm 4/5 in and still disappointed. Kick-Ass was great because of the idea: A kid in our reality decides to be a superhero.

I'm going to go through it, of course. I'm sure it will end up being okay and entertaining, but I'd just like Mark Millar to write instead of trying to make me flip out over the fact that his characters say fuck a lot.

Thursday, October 14, 2010

Bruce is Back, Baby

Return of Bruce Wayne #5 came out this Wednesday, along with a plethora of tie-ins about his return to the present. I can't begin to talk about how much I loved this series, especially the characterization of Bruce as more than just brood and gloom and as a really whole person. By using his closest friends and allies, as well as proteges and an unknown offspring, Bruce is truly realized beyond his Dark Knight identity.

Grant Morrison is an incredibly surreal writer. He incorporates sound into his books like no other comic author I've seen. In Final Crisis, music plays a huge role. The Ultima Thule, the inter-dimensional ship used to gather up the Supermen of the multiverse, looks like the yellow submarine of Beatles fame. It is driven by what appears to be an organ and a harp. Overman (Nazi Superman) and others talk about the "great and terrible music" of the multiverse. Grant Morrison uses this overarching theme of life and the universe(s) as just vibrations combining into this music. Superman defeats Darkseid by canceling out his vibration (Darkseid, the anti-life, is cited as having "always hated music).

In Return of Bruce Wayne, there is the sound of bells echoing throughout the story. Whenever Bruce is about to the bells sound, the "Bells of the all-over". You can actually hear these frantic bells ringing, summoning Bruce to his ultimate destiny. The are like alarms, warning us of the imminent danger of Bruce's return and what crisis #6 is going to bring.

There are some new tie-ins out too, involving Red Robin, Dick, and Damien, as well as the other members of the Bat-verse (yes, I said that). These might have needed to wait a week or so because (spoiler alert), they kind of take away from the climax of #5 and #6. You'll understand if you read it. It's a must for any Batman fan.